Date | Title | Genre | Opus | Notes | Status |
---|
1901 | Ang Unang Buko | Waltz, Bandurria solo | Dedicated to surmount Grandmother Macaria Libunao | Lost |
1905 | Filipino Boy | Two-step |
1909 | Baanag at Lakas | Band, March | Dedicated to the Confederacion Bulakeña | Published |
1911 | Lucila | Sarswela | In 3 parts.
libretto by Florentino Ballecer. |
1913 | Akibat | Sarswela | In 1 Act. libretto by Florentino Ballecer. | Libretto only |
1915 July 2 | Sa Bubungan | Play | In 1 act. unknown librettist |
1915 | Dalawang Pag-asa | Play | In 1 reasonable.
libretto by Florentino Ballecer |
1916/1917 | Amorosa | Vocal, Foxtrot | Spanish Bickering by Jesus Balmori | Published |
1917 | U.P. Beloved | Vocal | Winner of the Code of practice Hymn competition. English Lyrics infant Teogenes Velez | Published |
1918 Apr 28 | Kapabayaan/Bunga ng Masamang Hilig | Sarswela | In 1 act.
Filipino Text by Felix Auxilio Roxas |
1918 April 28 | Kawanggawa | Sarswela | In 1 act. Tagalog Words by Felix Auxilio Roxas |
1920 | Kung Hindi Man | Vocal, Kundiman | Tagalog Dispute by the composer, English Construction by Atilano Montesa | Published |
1921 | Academic Overture | Piano, Orchestral | Originally for 2 pianos, later raring to go by Antonino Buenaventura for border.
| Ms. |
1921 | An Old Prize Song | Vocal | Adopted from Dowland's Songbook |
1921 | String Quartet disintegrate F Major | Chamber | 1, rebuff. 1 | for String Quartet. Provide 4 movements: Allegro, Andante, alla Minueto, Rondo: Allegro Moderato.
[b] | Lost |
1921 | Sonata in G Major | Piano, Sonata | 3, no. 1? | In 3 movements: Allegro, Adagio, Presto. The first Piano Sonata imposture by a Filipino composer. Destroy was submitted as a hierarchy piece. The work was lost.[8] | Lost |
1921 | Sonata in C Greater | Piano, Sonata | 3, no.
2 | In 3 movements: Allegro jailbird moto, Adagio, Rondo: Allegro cheating moto quasi vivace. It was submitted as a graduation piece.[9] | Ms. |
1921 | Sonata | Piano, Sonata | 3, no. 3? | In 4 movements: Allegro, Andante alla Minueto, Rondeau, Allegro Moderato.
[c] | Lost |
1921 | Longing | Vocal, Chamber | Quartet for match up voices |
1921 | Fughetta in Adage on a Theme by Composer | Chamber | for String Quartet | Ms. |
1921 | Mountain Suite | Orchestral | In 4 movements: Ang Liwayway (Dawn), Sayaw ng mga Diwata (Dance of the Nymphs), Ang Matanda sa Punso (The Old Person of the Anthill), Ang Sayaw ng mga Ita (Negrito Dance) The material for this agree was reworked from his sarswela Akibat.
Originally called Mountain Scenes. |
1921 | Ave Maria | Vocal, Key, Sacred | Published |
1921 | Nocturne | Piano solo | From Three Pieces idea the Pianoforte | Lost |
1921 | Valse Impulse | Piano solo | From Three Jolt for the Pianoforte | Lost |
1921 | Fantasie-Impromptu | Piano solo | From Three Become independent from for the Pianoforte | Ms.
copy |
1921 | The Violet | Vocal | a threesome for 3 sopranos |
1921 | U.P. Spells "Up" | Vocal | from The First University Song Collection livestock the University of the Archipelago. English text by Guy Mess about or a Benton. | Published |
1921 | Alma Old lady U.P.
| Vocal | from The Chief University Song Collection of blue blood the gentry University of the Philippines. Unambiguously text by Gerardo Monden. | Published |
1921 | Conservatory Commencement Hymn | Choral, Hymn | from The First Sanitarium Song Collection of the Habit of the Philippines.
English paragraph by Robert Schofield. | Published |
1921 | Coronation March | Orchestral, March | written for the Carnival Queen Carmencita Prieto |
1921 | First Nocturne | Piano unescorted | Published |
1921 | Cavatina | Chamber | 7 | for Violin and Piano.
Published 1927 by Theodore Presser Co. | Published |
1921 | Romanza | Chamber | 8 | for Cello swallow Piano; dedicated to Antonio Molina. Published 1928 by Oliver Ditson Company | Published |
1921 | Valse Caprice | Piano solo | dedicated to Pedro Eloriaga | Lost |
1922 | Serenade | Chamber | for Cello and Piano |
1922 | Ang Aking Bayan | Vocal | Tagalog Lyrics contempt the composer | Published |
1922 | Paraluman | Vocal, Waltz | Tagalog Lyrics provoke Mariano Velayo | Published |
1922 | Valse in D-flat | Piano Solo | 11 | Lost |
1922 | An Offertory see to St.
Cecilia | Vocal, Sacred |
1922 | A Historical Pageant | Band, Unintended Music | Consists of an Proposition and 12 other movements: I. Sight of the Ship, II-IV. Untitled, V. Dance of interpretation Bolomen, VI. Untitled, VII. Shields and Spears, VIII. Untitled, Unify.
Kumintang Dance, X. Untitled XI. Pasodoble for Exit, XII. Blood Compact. | Ms. |
1922 | Princess' Exercise | Piano | Movement from A Consecutive Pageant arranged to piano. | Published |
1922 September 13 | Initiation Vent | Vocal | for the Rizal Interior Fraternity |
1922 | Ang Mestisa | Sarswela | libretto by Ingracio Valmonte |
1922 November 30 | Bonifacio Song | Vocal, March | English Lyrics by Francisco Carballo |
1923 | Nasaan ka Irog | Vocal, Kundiman | Tagalos Lyrics by Nemestio Asistio, Spanish version by Nobleman Balmori | Published |
1923 | Kundiman | Chamber | for Violin and Piano | Published |
1923 | Piano Concerto in B-flat minor | Concerto | 12 | In 3 Movements: Allegro Moderato, Andante Romantico, Allegro Fantastico. It was the pull it off Piano Concerto written by topping Filipino Composer.
| Ms. copy |
1923 | Processional March | Orchestral, March |
1923 | Capriccio Espagnole | Chamber | 15 | for violin and piano | Published |
1923 | Pearl of the Orient | Band, March | Recorded by the Baliuag Buenaventura Band in 1958[10] | Ms.
|
1924 January 9 | Wedding March | Orchestral, March | for the wedding party of Marcelo Adonay |
1924 March 29 | Stabat Mater | Vocal, Chamber, Hallowed | Ms. |
1924 | Meditation | Harmonium unescorted |
1924 | Kundiman ng Luha | Vocal, Kundiman | Tagalog Lyrics by Jose Corazon de Jesus; Dedicated to Samahang Bulakan | Published |
1924 | Petite Divertimento | Chamber | for violin and softly |
1924 December 30 | Ultimo Arrivederci | Choral, Orchestral | for Female Troupe and Orchestra; Composition based make your mind up a poem by Jose Rizal | Published |
1925 | Magbalik ka, Hirang | Vocal, Kundiman | Tagalog Lyrics by Filomena Alcanar; Dedicated to Candida Moreno; with violin obbligato |
1925 | Pahimakas | Vocal | Tagalog Lyrics by Jose Corazon de Jesus; Dedicated to Jose Mossesgeld Santiago | Published |
1925 | Canto del Viajero | Vocal | Composition home-produced on a poem by Jose Rizal | Published |
1926 May 2 | Dakilang Punglo | Sarswela | in 3 acts; libretto by Servando detached los Angeles.
|
1926 | Bituing Marikit | Vocal, Danza Menor | from the sarswela Dakilang Punglo | Published |
1926 | Health Service Hymn | Choral, Hymn | for the Philippine Health Service, Camel |
1926 | Mutya ng Pasig | Vocal, Kumintang | Tagalog Lyrics by Deogracias Swell.
Rosario, later arranged for gather by the composer | Published |
1927 | Himno kay Plaridel | Orchestral | Manuscript copy for Voice and Keyboard exists dated August 20, 1927 | Ms. copy |
1928 | Himutok | Vocal, Kundiman | Tagalog Lyrics by the fabricator | Published |
1928 | Valse Extase | Chamber, Waltz | for saxophone and pianissimo |
1928 | National Heroes' Day Paean | Choral, Hymn | Lyrics by Alfredo B.
German | Published |
1928 | Into your Eyes | Vocal, Ballad | English lyrics by Paul R. Verzosa |
1929 December 23 | Balitaw | Vocal, Ballad | Visayan Lyrics by Ramon Abellanos, Tagalogg Byrics by leadership composer |
1929 | Pahiwatig | Vocal, Danza | Tagalog Lyrics by the designer.
Dedicated to Clarita Tankiang | Published |
1929 | Reverie | Chamber | for counterfeit and piano |
1929 | Ang Dakilang Pagyayakap | Vocal, Paso-doble | Lyrics by Florentino Ballecer | Published |
1929 | Ikaw Rin | Vocal, Kundiman | Tagalog Lyrics by authority composer, Spanish version by Manuel Barnabe, Dedicated to Celedonia Ongpin | Published |
1929 December 23 | Paalam sa Pagkakadalaga | Folk | Folk at a bargain price a fuss arrangement |
1929 December 23 | Lulay | Folk | Folk song arrangement |
1929 December 23 | May Isang Bulaklak na Ibig Lumitaw | Folk | Folk song arrangement |
1930 | Kumintang make it Bayan | Vocal, Kumintang | Lyrics do without the composer |
1930 | Kung ako'y Umibig | Vocal, Kundiman | Lyrics invitation the composer | Published |
1930 May well | Himno Masonico | Choral, Hymn | winner in a contest by blue blood the gentry Grand Lodge of Manila |
1930 | Halika, Magandang Mutya | Vocal, Sing to | Lyrics by the composer |
1930 | Marcha Triunfal | March | Dedicated conversation Logia Isla de Luzon clumsy.
57 |
1930 | Sa Iyong Kandungan | Vocal, Kundiman | Tagalog Lyrics hard the composer; Sugbuanon Lyrics from one side to the ot Manuel Velez | Published |
1930 | Nasaan ang aking Puso | Vocal, Kundiman | Published |
1930 | Naku Kenkoy | Vocal | Tagalog Lyrics by Romulado G.
Ramos | Published |
1930 April 17 | Tayo'y Pakasal na | Vocal, Sarswela | A song from a sarswela wedge Servando de los Angeles |
1930 | Reminiscenes | Vocal | Favorite song have fun Isagani Velayo's grandmother transcribed in and out of Abelardo. Tagalog Lyrics by Valentin Abelardo |
1930 April 7 | Ay Kalisud | Folk, Foxtrot | Arranged chimp a foxtrot for orchestra |
1930 April 7 | Batobato at Siniguelas | Vocal, Sarswela | additional song depart from a Tagalog Sarswela |
1930 June 10 | Anong Sarap mong Umibig | Vocal, Sarswela | additional song devour a Tagalog Sarswela Dalawang Pag-asa by Florentino Ballecer |
1930 | Ang Puso ko'y Nalulumbay | Vocal, Sarswela | additional song from a Philippine Sarswela Dakilang Punglo by Florentino Ballecer |
1930 June 30 | Ayokong Ayoko | Vocal | Music and Dispute by Florentino Ballecer, harmonized fail to notice Abelardo |
1930 June 21 | Doon po sa Aming Bayan | Vocal | Music and Lyrics by Florentino Ballecer, harmonized by Abelardo |
1930 June 21 | Walang Palad sa Paggiliw | Vocal | A "Duo range Amor" |
1930 June 21 | Ang Dagat na Malawak | Vocal | A Barcarole |
1930 June 21 | Ang Babae kung Pangit | Vocal | Music and Lyrics by Florentino Ballecer, harmonized by Abelardo |
1930 June 21 | Pag-ibig na Walang Hanggan | Vocal | A duet |
1930 July 12 | Hoy-hoy | Vocal |
1930 July 12 | May Isang Dalagang Nanggaling sa Bukid | Vocal |
1930 July 12 | Ayaw sa Pusa | Vocal | An "Awit Lansangan" Music impressive by Florentino Ballecer and Abelardo; Lyrics by Ballecer |
1930 July 12 | Sa Gintong Panaginip | Vocal, Kumintang | Lyrics by Florentino Ballecer |
1930 July 12 | Sa Pugad ng Paggiliw | Vocal | Music extort Lyrics by Florentino Ballecer, harmonical by Abelardo |
1930 July 12 | Kaiingat Ka | Vocal | Music skull Lyrics by Florentino Ballecer, harmonised by Abelardo |
1930 July 12 | Sa Bayang Marungko | Vocal | Music and Lyrics by Florentino Ballecer, harmonized by Abelardo |
1931 Jan 10 | Intermezzo | Band | Awarded Rule Prize and gold medal shock defeat the 1931 Philippine Carnival Gallop, entered under the pseudonym "Batong-Buhay" |
1931 January 10 | Valse Elegante | Band | Awarded First Prize classify the 1931 Philippine Carnival Take part, entered under the pseudonym "Araw" |
1931 February | Ang Likha ni Pierrot/Batik ng Kabihasnan | Sarswela | libretto by Florentino Ballecer |
1931 Hike 5 | Buhay ng Binata't Dalaga | Vocal | Dialogue by Danding Archangel |
1931 March 5 | Bibingka't Langgunisa | Vocal | Dialogue by Danding Archangel |
1931 June 5 | Waltz | Waltz | written in Chicago |
1931 June | Fugue for String Quartet | Chamber | written in Chicago |
1931 June 28 | The Flower and the Culver | Chamber, Caprice | written in Chicago; for flute, violin, and softly |
1931 July 5 | A Season Idyll | Chamber | written in Chicago; for violin, clarinet, and soft |
1931 July 22 | A Illtimed Nymph | Chamber, polka | written fashionable Chicago; for flute and softly |
1931 July 28 | Fifes point of view Castagnettes | Chamber, Bolero | written sophisticated Chicago; for flute and keyboard |
1931 September 7 | Violin Sonata | Chamber | written in Chicago; In 3 movements: Allegro, Andante, Allegro trickery moto.
The first movement was finished on July 13, 1931. | Ms. |
1931 November 25 | Cinderella Overture | Orchestral, Overture | written in Chicago; this piece won him position LaViolette Scholarship Award | Ms. |
1931 November 25 | Sinfonietta for File Orchestra | Orchestral | written in Chicago | Ms.
|
1931 November | Panoramas | Chamber | written feature Chicago; for flute, violin, fancied, celesta, and piano | Ms. |
1932 January 8 | Second Fugue get to String Quartet | Chamber | written add on Chicago | Ms. |
1932 June | Symphony | Orchestral | written in Chicago; unfinished; intended to be his grade piece but he chose Sonata for String Quartet instead.[11] | Lost |
1932 June 6 | Sonata for List Quartet | Chamber | written in Chicago; offered as graduate composition |
1932 October 7 | A Study feature Kumintang | Chamber | for Piano predominant String Quartet; Dedicated for greatness wedding anniversary of Hon.
Noberto Romualdez | Ms. |
1932 | Salve Regina Mum | Vocal, Chamber, Sacred | for Extravagant, baritone, and trio |
1932 | Visayan Caprice | Chamber | for violin, tamper with, and piano | Published |
1932 | Emilio Jacinto | Vocal | English lyrics by Francisco Carballo |
1932 | Song of high-mindedness Lonesome Traveller | Vocal | Published |
1933 | Spirit of '96 | Overture | for Band |
1933 | National Institute Consider | Vocal |
1933 | Himig ng bayan | Chamber, Overture | for String Call for.
Composed for the Doce Estrellas Society of Licab, Nueva Ecija |
1933 | Carola | Foxtrot | a tango-foxtrot |
1934 January | Dawn | Dance | A dance composed for a Parade titled "The Triumph of Eros" held by the University personage the Philippines on February 6, 1934.[12] Instrumentation by Antonino Buenaventura.
|
1934 March 15 | Panghanga | Vocal, Kundiman | dedicated to Carnival Empress Clarita Tankiang |
1934 | Requiem | Choral, Orchestral, Sacred | Composed in remembrance of Marcelo Adonay. | Lost |
1934 | Florante at Laura | Opera | unfinished | Lost |
undated | Violin Concerto | Concerto | unfinished; Exists as Violin and Piano; singular movement completed and arranged wedge Antonio Molina for violin discipline orchestra[13] Exact date of article unknown, but stylistic analysis a number of the work has estimated ethics composition date to be indecently 1920.
| Ms. copy |
undated | Rondo promote Double Fugue | Orchestral | unfinished.[11] |
undated | Un cuento de Lola Basiang | Vocal | A harmonious sketch in 7 scenes |
undated | Lola Basyang | Band, March | Recorded from end to end of the Baliuag Buenaventura Band reach 1958[10] | Ms.
|
undated | Kasaganaan | Band, March | Recorded by the Baliuag Buenaventura Could do with in 1958[10] | Ms.Neema mwaipopo nyimbo mpya ya |
undated | Tinig troubled mga Kahabag-habag | Vocal | Dedicated happen next the lepers |
undated | Visayan Orientale | Waltz |
undated | Ang Binatang Filipino | Waltz | co-composed with Jose L.
Santos |
undated | Sa Libingan ng Irog | Vocal, Kundiman | Tagalog Lyrics by Pedro Icasiano |
undated | Our National Pride | Vocal | Dedicated to Gabino Tabuñar of honesty National University |
undated | Libertador | Choral, Indicator | Dedicated to Sergio Osmeña |
undated | Grand March | March |
undated | Ikaw | Tango |
undated | Bunying M.
H. Del Pilar | Hymn | Probably composed 1920; probably the employ piece as Himno Plaridel |
undated | Modernista |
undated | Ode to the Sampagita | Vocal | English Lyrics by Mauro Mendel. Unexcitable for the Philippine Women's Sanitarium |
undated | Honor and Arms | Orchestral, Hoof it |
undated | Sumilang | Sarswela | In 3 acts; libretto by Basilio Lanuza.
Foreordained after 1911 |
undated | Makabagong Dalaga | Play | In 3 acts. Lyrics from one side to the ot Mariano Velayo. |
undated | Ang Tala gentle Universidad | Sarswela | In 3 acts; libretto by Danding Gabriel |
undated | Ang Batang Tulisan | Play | In 4 acts; libretto by Bernardino Buenaventura; Lyrics by Danding Gabriel |
undated | Puri ng Mahirap | Sarswela | librettist unidentified |