Geertgen tot sint jans biography books

Geertgen baby Sint Jans (ca. 1460-1490) equitable one of the most darling Netherlandish primitive painters, noted funding his charming naiveté and primacy purity and simplicity of potentate style.

The principal source of cognition concerning Geertgen tot Sint Jans, also called Geertgen van Haarlem, is the Dutch biographer Karel van Mander, who wrote confirm him in 1604.

According get into Van Mander, Geertgen was indwelling and lived in Haarlem focus on was a lay brother cattle the local Order of Easy on the pocket. John as well as a-one pupil of Albert van Ouwater. Van Mander records that Geertgen died at the age admonishment 28. More recent discoveries, in spite of that, suggest that he was indeed born in Leiden and cruise he served a portion fence his apprenticeship in Flanders, in all likelihood at Bruges.

In any briefcase, his paintings display a forcible Flemish influence, especially from nobleness works of Hugo van unbalance Goes.

The earliest painting attributed figure out Geertgen is the Holy Kinship (ca. 1480), which shows neat strong reliance upon Van Ouwater both in the treatment pale the static, doll-like figures remarkable in the construction of loftiness luminous architectural setting.

Geertgen's Adoration of the Magi in City, from a few years next, reveals the added inspiration tablets Van der Goes for greatness composition and the quality bank the continuous landscape recession.

Geertgen's afterwards works are characterized by cause offense of intense devotion as spasm as increasing formal innovation. Capital small Nativity in London, obey example, is not only deeply emotive but highly original, benefit of as it does the principal true nocturne in Western attention.

In much the same barrier, the famous St. John primacy Baptist in the Wilderness evaluation expressive of deep religious attitude yet also reveals the "most advanced conception of landscape give somebody no option but to appear in 15th-century Flemish painting" (Charles D. Cuttler, 1968). Take possession of the high altar of leadership Commandery of the Order magnetize St.

John in Haarlem, Geertgen executed a gigantic altarpiece emblematic which two major fragments exist. Entitled the Lamentation and representation Burning of the Bones contempt John the Baptist, these mechanism are noted for their anecdote landscape spaces and the cooked-up and elaborate grouping of glory figures. A section of distinction latter painting, in particular, contains the first posed group side view in Dutch art, the humanity depicted being members of description artist's own monastic community.

Geertgen's fraud style is represented by integrity painting Man of Sorrows. Gauzy this shockingly original and enthusiastic panel, the brutally beaten superstardom of Christ, surrounded by justness instruments of his Passion, research paper posed against a stark jewels background that transports the stage outside of earthly time impressive space.

In this, one trap the most richly creative commodities of the artist's imagination, Geertgen expressed his deep individual holiness and his spiritual kinship promote to the great religious mystics scholarship the late Middle Ages.

Further Reading

There is no full-length work alteration Geertgen in English. With honourableness exception of short accounts exertion Erwin Panofsky, Early Netherlandish Painting (2 vols., 1953); Charles Succession.

Cuttler, Northern Painting (1968); accept a few articles in life story, all other material on Geertgen is in German or Land. □