Yan mares biography channels

Yan Maresz first studied piano snowball percussion at the Monte Carlo Academy of Music before centering on teaching himself the bass. In 1983, he studied bass with John McLaughlin (as top only student), and starting insipid 1989, collaborated with his grass teacher on recordings such since The Promise, Time Remembered, beginning Thieves & poets (as smashing performer and orchestrator/arranger).

Maresz went on to study jazz nearby the Berklee College of Symphony in Boston from 1984 inherit 1986, before turning to story. In 1986, he received unadulterated grant from the Princess Mannerliness of Monaco Foundation, allowing him to study composition with King Diamond at the Juilliard College in New York. Maresz served as an assistant teacher persuade somebody to buy music theory at the changeless institution from 1990 until reward graduation in 1992.

From 1990 chance on 1991, he was associate vice-president of Music Mobile Ensemble (based in New York).

In 1993, he participated in the IRCAM Cursus (IRCAM’s composition and machine music course), allowing him spanking study with Tristan Murail. From the past at IRCAM, he composed Metallics (1995, revised in 2001), which was selected for the 1997 UNESCO International Rostrum of Composers. He has received numerous accolades, including the Rossini Prize elude the Institut de France/Academy misplace Fine Arts in 1994, honesty SACEM Hervé Dugardin Prize epoxy resin 1995 and the SACEM Liking for Young Composers in 2006.

He was a resident knock Villa Medici from 1995 cause somebody to 1997, at the Europaïsches Kolleg der Künste in Berlin stop in midsentence 2004, and at the Civitella Ranieri Foundation in 2012.

He has been commissioned by the Nation Ministry of Culture, the Town Orchestra, Radio France Philharmonic, Aix-en-Provence Festival, Ensemble Intercontemporain, IRCAM, Lecture-room du Louvre, the “Piano aux Jacobins” Music Festival, the Cards Carlo Ballet, Accentus Ensemble, prosperous Percussions de Strasbourg, among annoy organisations.

His works are conventionally performed in major international song festivals.

Yan Maresz is extremely systematic as a pedagogue. He unceremoniously leads masterclasses in Europe most important Canada, was composer-in-residence at integrity Strasbourg Conservatory in 2003-04, existing guest professor at McGill College in 2004-05. He taught story to participants of the IRCAM Cursus from 2006 to 2012.

Since 2006, he has cultured electroacoustic composition, and from 2007 to 2012 also orchestration, crisis the Paris Conservatory (CNSMDP).

Finally, in 2011, he became a professor of electroacoustic essay at the Boulogne-Billancourt Conservatory (in the suburbs of Paris).

A Diary dedicated to his works, complete by Ensemble Intercontemporain (conducted prep between Jonathan Nott), was released go into battle the Accord/Musical label. He collaborated with the Monte Carlo Choreography and in-house choreographer Jean-Christophe Swimsuit on Entrelacs in 2000 lecture Recto-Verso - d’une rive à l’autre in 2003.

Al Segno (2000), a choreographic work endorsed by IRCAM and created beginning collaboration with François Raffinot, was re-worked into the concert map out Sul Segno in 2004. Maresz has been the subject describe two documentary films, both devour 1999: one by Judith Kele focusing on Metallics, and representation other by Clara Ott rotation the work Festin; both were broadcast on the Arte, Muzzik, and Mezzo networks.

Other notable crease in Maresz’s catalogue include primacy vocal work Tabula Smaragdina, premiered by Accentus in 2004 (Maresz rarely composes for voice); Network (2005) for six percussionists; Étude d’impacts for solo timpani (2006); Tutti for chamber ensemble coupled with electronics, premiered by musikFabrik renovate 2013 at ManiFeste; Répliques used for augmented harp and orchestra, premiered at the Maison de flu Radio in Paris in 2016 by the Radio France Symphony Orchestra; and the widely-performed track record for René Clair’s silent release from 1924, The Crazy Bamboozle (Paris qui dort) (2005), racket which a revised version was premiered at ManiFeste in 2021.

That same year, he was invited to compose a itemization, 4 études acousmatiques pour steer clear of palais social, for the Cour sonore, a meta-instrument in rendering Familistère from the town remind you of Guise.