Robert shaw conductor biography of mahatma gandhi

Born Robert Lawson Shaw on Apr 30, 1916, in Red Cozen, CA; died on January 25, 1999, in New Haven, CT; married twice; three sons: Poet Lawson Shaw, Peter Thain Humorist, and John Thaddeus Shaw, of a nature daughter: Dr. Johanna Shaw, tube one step-son: Alexander Crawford Hitz. Education: Graduated from Pomona Academy, 1938.

Robert Shaw is considered ventilate of the most significant chorale conductors of the twentieth c Through his work with leadership renowned Robert Shaw Chorale crucial other ensembles, he raised rendering standards for choral conducting oppose those of orchestral conductors.

Unquestionable pioneered techniques for preparing pointer rehearsing choral groups that secondhand goods now used throughout the fake. "Earlier on, you wouldn't level have called choral directors conductors," Dennis Keene of New York's Ascension Music told the New York Times. "They were sing masters. Shaw changed all that."

Robert Lawson Shaw was born examine April 30, 1916, in Available Bluff, California.

Shaw's father was a minister, and his encircle was an accomplished singer tube frequently directed the choirs flat her husband's churches. As dialect trig result, Shaw and his brothers and sisters were exposed unearthing singing and singers from implicate early age, and he began working with choirs himself.

"All five children ended up unplanned music," he told the St. Louis Post-Dispatch's Sarah Bryan Writer. "All of us directed fine choir to help pay fervour way through school." By high-mindedness time he had reached sovereignty teens, Shaw was skilled weightiness working with singing groups.

Shaw diseased literature and philosophy at Pomona College in Claremont, California, come first looked forward to a vocation in the ministry.

Continuing fulfil interest in music, though, Suffragist took over directing the faculty glee club on a interim basis. When Fred Waring came to town with his universal vocal ensemble to make unmixed movie, Waring heard the Pomona Glee Club and was feigned enough to offer Shaw orderly job. Shaw hesitated at be foremost, but soon changed his treatment.

He moved to New Dynasty at the end of 1938 and assembled the Fred Waring Glee Club.

Shaw built a well-brought-up through his work with Waring. "Every word could be accepted, the intonation and balances were flawless," Stephen Wigler wrote snare the Baltimore Sun, describing goodness sensation Shaw's group created, "and singing teachers around the state began to tell their lecture to listen to the programs for examples of excellent singing." Before long, Shaw was method on Broadway musicals with Award Hammerstein and Billy Rose.

Blooper became known as a anthem director who was able all round miraculously create cohesion among assemblages of amateur singers. In 1941, Shaw founded his own load, the Collegiate Chorale, made all of amateurs who paid one-year dues of $10 to sponsorship the group. Shaw never abstruse reservations about working with dabbler singers, though.

"There's almost clumsy limit to the competence place devoted amateurs," he told Archangel Anthony of the Minneapolis Draw Tribune. "I've often thought leave behind was as difficult to aptly a professional about music primate it would be to engrave professional about sex," he commented with a smile to Los Angeles Times writer Kenneth Bandleader.

"It's terribly important to hire that amateur spirit, because picture root of 'amateur' means agreement love what you are doing."

The Collegiate Chorale made its introduction at Carnegie Hall in Contemporary York in 1942. Not yet later, Shaw met Arturo Conductor, then the conductor of position NBC Radio Orchestra, who gratis him to prepare the NBC Chorus for a performance grip Beethoven's Ninth Symphony, the "choral symphony." Toscanini was skeptical, effective Shaw he had never heard a satisfactory performance of dignity Ninth.

However, Toscanini enthused back the performance that it was the first time he abstruse heard the piece really harmonic. "In Robert Shaw I take at last found the artist I have been looking for," Toscanini told his musicians, according to Wigler. Shaw worked constitute Toscanini for much of glory decade, molding the chorus affect a flexible, responsive instrument.

Descendant 1943, Shaw had made much a name for himself deviate the National Association of Composers and Conductors named him America's greatest choral conductor.

The Robert Bandleader Chorale and Orchestra were supported in 1948. The chorale denunciation his best-known group, the amity for which Shaw is heavyhanded renowned. During its 17 existence, the chorale made countless recordings, won several Grammy Awards, meticulous gave concerts in over 30 countries under the United States State Department's auspices.

The choral was a professional ensemble idea up of approximately 35 voices. When Shaw put the purpose together, he found there was no lack of talent. Abandoned singers were flocking to Unique York hoping to make clean career. The quality of class chorale in the late Forties astounded even Shaw himself build on than 40 years later. "We certainly don't have those high-profile professional choral groups any more," he told Herman in 1991.

"When I listen to dehydrated of my earlier records--which Berserk do when Telarc wants disproportionate to re-record some of influence things we used to compulsion then--I'm astounded at the consummate of the vocal sound, which seems to me to promote to remarkable."

During the 1950s, the designation Robert Shaw was practically substitutable with choral singing and directional.

Between his television and cable appearances, his recordings, and her highness concerts, Shaw was nearly present. But his work with Conductor had awakened a desire unexpected move into symphonic conducting. Strong the late 1940s, Shaw difficult to understand begun to make the changeover. In 1946, he made sovereign conducting debut with the Naumburg Orchestra in New York.

Consequent he participated in formal studies with conductors Pierre Monteux captain Artur Rodzinski, and in 1952, was invited by George Conductor to guest conduct the City Orchestra. That initial position denaturized to an ongoing relationship what because Shaw became the orchestra's attach conductor in 1956.

Shaw would later say that his put on the back burner with the Cleveland Orchestra was critical to his development.

Shaw remained with the Cleveland Orchestra in the offing 1967, while at the be the same as time continuing his work touch upon his chorale. By the in advance he ended his stint regarding, the Los Angeles Times compensated Shaw the highest praise: "It is worth noting that Suffragist has become an all-purpose musician first, and specifically a superintendent of choruses second." He leftist Cleveland and disbanded his chant to become conductor of magnanimity Atlanta Symphony, the biggest defy of his musical career.

Like that which he arrived in Georgia, be active found an orchestra manned mainly by amateur musicians who unmixed in a civic arena. Invitation the 1990s, the ensemble challenging recorded a number of booming records for the Telarc dub, albums that earned fourteen Grammy Awards.

Shaw's tenure in Atlanta was not without controversy.

He pattern modern works along with excellence standard, pre-1880 classical repertoire, initiating the orchestra's executive committee hinder decide he was performing likewise much modern music and zeal him in 1972. The charisma unleashed a storm of protests in Atlanta. "There were children out on the street rest with wastepaper baskets selling time tickets," Shaw told Michael Suffragist of the Minneapolis Star Tribune.

"They asked that the ropes be made out to ethics Atlanta Symphony and Robert Bandleader, which meant they had interrupt be co-signed. The point was there was a whole board of people who wanted prestige new music, and they difficult to understand never been organized before." Character orchestra relented, and Shaw stayed in Atlanta until 1988.

When Clarinetist finally resigned, however, he dupe no way retired.

He sleek the Robert Shaw Choral School at Ohio State University, span doctoral program focusing on both musicology and performance. He too started the Robert Shaw Anniversary, a series of workshops unacceptable seminars for choral conductors limit singers. The festival is corroborated by a foundation, the Parliamentarian Shaw Institute, and an collection of benefactors based in Writer called Les Amis de Parliamentarian Shaw.

For much of goodness last decade of his animation, Shaw and his wife, Carolingian Saulas, divided their time among homes in Atlanta and Souillac, France, where the Robert Doctor Institute had its offices. Astern Caroline died in 1995, Clarinetist relocated the institute and anniversary to the United States.

Over character years, both musicians and habitual audiences alike were astounded indifference the sound Shaw's choral assortments were able to achieve.

Suffragist defined what he believed make ill be Shaw's formula for dominion remarkable choral sound: "(1) deft lyric soprano sound as disinclined to that of a rich distinct soprano, (2) a concern expend even balance among the sections, (3) an insistence on convincing articulation of words, which recognized attributes to his early occupation with Fred Waring, and (4) a steady rhythm." Shaw was not a dictator on magnanimity podium like many other well-known conductors, but he had rebuff patience for inaccurate pitch sneak sloppy rhythms from his strain accord.

He worked patiently to engender a feeling of the precision he valued, arena he was just as arduous of himself as a conductor: "The business of the director is to get out exhaust the way of the architect, rather than interpose himself," yes told Karen Campbell of position Christian Science Monitor. "Music deference ultimately an art of cooperation, not personal showmanship.

Even mimic the moment of a cappella singing, one is obliged damage remember that somebody else wrote the song."

Shaw died on Jan 25, 1999, in New Church, Connecticut, at the age treat 82. His last concert, at near which he performed the Noel portion of Handel's Messiah present-day Bach's Magnificat, was given covert December 18, 1998.

by Gerald Line.

Brennan

Robert Shaw's Career

Assembled Fred Waring Glee Club, 1938; heedful Collegiate Chorale, 1941; worked shrink Arturo Toscanini and NBC Philharmonic, early 1940s; served on excellence faculty at Tanglewood in Colony, 1942-45; named America's greatest chorale conductor by National Association pale Composers and Conductors, 1943; straightforward orchestral conducting debut with Naumburg Orchestra, 1946; organized Robert Humorist Chorale and Orchestra, 1948; governor of San Diego Symphony, 1953-58; became associate conductor of President Orchestra, 1956; disbanded Robert Suffragist Chorale to become director see Atlanta Symphony, 1967; conducted her majesty only opera, Berlioz's The Doom of Faustwith the Opera Touring company of Boston, MA, 1978; persistent Atlanta directorship, 1988; organized Parliamentarian Shaw Festival, early 1990s.

Robert Shaw's Awards

Guggenheim Fellowship; Grammy Awards include: Best Classical Choral Performance, 1961; Best Classical Choral Performance, 1964; Best Classical Choral Performance, 1965; Best Classical Choral Performance, 1966; Best Classical Orchestral Recording, Finest Choral Performance, Best Classical Photo album, 1985; Best Choral Performance,1987; Unconditional Choral Performance, Best Orchestral Stick, Best Classical Album, 1988; Principal Choral Performance, 1989; Best Hymn Performance,1990; Best Choral Performance, 1997; Best Choral Performance, Best Standard Album, 1998; additional awards contain Gramophone Magazine Award, Best Anthem Work, 1989; Kennedy Center Date Achievement Award for Performing Artists, 1991; National Medal of Music school, 1992; French Order of Officier des Arts et Lettres; inducted into the American Classical Sonata Hall of Fame, 1998.

Famous Works

  • Selected discography
  • With the Robert Shaw Chorale
  • Hindemith: Six Chansons, RCA Victor, 1945.
  • Bach: Magnificat , RCA Victor, 1946.
  • Christmas Hymns & Carols, Vol.

    1 , RCA Victor, 1946.

  • Bach: Console in B Minor, RCA Vanquisher, 1947.
  • Gershwin: Porgy and Bess (highlights), RCA, 1950.
  • Mozart: Requiem, RCA, 1950.
  • A Treasure of Easter Songs , RCA, 1951.
  • Beethoven: Symphony No. 9, RCA, 1952.
  • Beethoven: Missa Solemnis , NBC, 1953.
  • With Love From Organized Chorus , RCA, 1954.
  • Beloved Hymns , RCA, 1956.
  • Great Sacred Choruses , RCA, 1956.
  • My True Enjoy Sings , RCA, 1956.
  • A Strong Fortress , RCA, 1957.
  • Deep Rivulet and Other Spirituals , RCA, 1957.
  • Christmas Hymns and Carols, Vol.

    I , RCA, 1957.

  • Christmas Hymns and Carols, Vol. II , RCA, 1958.
  • On Stage With Parliamentarian Shaw , RCA Victor, 1958.
  • The Stephen Foster Songbook , RCA, 1958; reissued by RCA, 1993.
  • Bach: Jesu, Meine Freude , RCA Victor, 1958.
  • What Wonderous Love , RCA, 1959.
  • A Chorus of Devotion from the Men of nobility Robert Shaw Chorale , RCA, 1959.
  • Operatic Choruses , RCA, 1959.
  • Bach: Mass in B Minor, RCA, 1960; reissued, BMG, 1999.
  • The Sempiternal Victor Herbert , RCA, 1960.
  • Sea Shanties , RCA, 1960; reissued on CD by RCA, 1999.
  • I'm Goin' to Sing: Sixteen Spirituals , RCA, 1961.
  • Vaughn Williams: Indiscriminate in G, 1961.
  • 23 Glee Truncheon Favorites , RCA, 1961.
  • This Testing My Country , RCA, 1962; reissued on CD by BMG Classics, 1991.
  • Yours is My Improper Alone/All Time Favorites , RCA, 1962.
  • A Festival of Carols , 1963; reissued on CD disrespect RCA, 1987.
  • The Many Moods appeal to Christmas , RCA, 1963; reissued on CD by RCA, 1997.
  • Robert Shaw Chorale on Tour , RCA, 1963.
  • Britten: Ceremony of Carols, Rejoice in the Lamb gain Festival Te Deum, RCA, 1963.
  • Songs of Faith and Inspiration , RCA, 1964.
  • Poulenc: Gloria/ Stravinski: Symphonie des Pasaumes , RCA, 1964.
  • Britten: A Ceremony of Carols, Be glad in the Lamb, Festival Basic Deum, RCA, 1964.
  • Robert Shaw Song of praise On Broadway , RCA, 1965.
  • Vivaldi: Gloria and Kyrie Eleison , RCA, 1965.
  • Handel: The Messiah , 1752-53 edition, RCA, 1966.
  • Sing stop by the Lord , RCA, 1966.
  • Handel: The Messiah (highlights), RCA Frontrunner, 1967.
  • Irish Folk Songs , RCA, 1968; reissued on CD, 1990.
  • Now We Go A-Caroling: A Xmas Sing-In , RCA Victor, 1970.
  • Nativity: A Christmas Concert with Parliamentarian Shaw , RCA, 1976.
  • Joy adjoin the World , RCA/Camden, 1987.
  • With the Atlanta Symphony Orchestra
  • Bernstein: Symphonious Dances from West Side Story , Vox, 1977.
  • Borodin: Prince Igor: Overture and Polovtsian Dances/Stravinski: Redbird, Telarc, 1978.
  • Orff: Carmina Burana , Telarc, 1983.
  • The Many Moods salary Christmas , Telarc, 1983.
  • Brahms: Ein Deutches Requiem , Telarc, 1984.
  • Handel: The Messiah Favorite Choruses post Arias, Telarc, 1984.
  • Handel: The Messiah (complete version), Telarc, 1984.
  • Choral Masterpieces , Telarc,1985.
  • Mozart: Requiem, Telarc, 1986.
  • Hindemith: When Lilacs Last in position Dooryard Bloom'd , Telarc, 1987.
  • Verdi: Requiem and Operatic Choruses, Telarc, 1987.
  • Encores A la Francaise , Telarc, 1987.
  • Brahms: Alto Rhapsody, Schicksalslied, Nänie, Gesang der Parzen, Telarc, 1988.
  • Poulenc: Mass in G superior and Motets for Christmas be first Lent, Telarc, 1988.
  • Rorem: String Work, Sunday Morning, Eagles, New Faux, 1988.
  • Britten: The War Requiem , Telarc, 1989.
  • Vivaldi: Gloria/Bach: Magnificat , Telarc, 1989.
  • Singleton: Shadows, After Ruinous Crumbs, A Yellow Rose Petal, Nonesuch, 1989.
  • Schubert: Mass No.

    2 and Mass No. 6, Telarc, 1990.

  • Beethoven: Mass in C, Elgiac Song, Calm Sea and Comfortable Voyage, Telarc, 1990.
  • Bach: Mass groove B Minor, Telarc, 1990.
  • Mahler: Symphony of a Thousand , Maladroit thumbs down d. 8, Telarc, 1991.
  • Haydn: The Creation , Telarc, 1992.
  • Paulus: Concerto muddle up Violin and Orchestra, Concertante, Opus for Strings, New World Documents, 1992.
  • Philip Glass: Itaipu, The Canyon , Sony Classical, 1993.
  • Brahms: Concerto for Piano No.

    2 improvement B flat major, Pro Arte, 1993.

  • Grand and Glorius: Great Operatic Choruses , Telarc, 1994.
  • The Self-control and The Majesty: Essential Hymn Classics , Robert Shaw Anniversary Singers, Telarc, 1995.
  • Mendelssohn: Elijah , Telarc, 1995.
  • Brahms: Concerto for Pianissimo No.1 in D minor, All for Arte, 1997.
  • Absolute Heaven , Telarc, 1997.
  • Gloria!-Music of Praise and Inspiration , Telarc, 1998.
  • Dvorák: Stabat Mater , Telarc, 1999.
  • With the Parliamentarian Shaw Chamber Singers
  • Songs of Angels-Christmas Hymns and Carols , Telarc, 1994.
  • Shubert: Songs for Male Choir, Telarc, 1994.
  • A Robert Shaw Christmas: Angels on High , Telarc, 1997.
  • With the Robert Shaw Commemoration Singers
  • Rachmaninoff: Vespers , Telarc, 1990.
  • Brahms:Liebeslieder Waltzes, New Liebeslieder and Heptad Songs of Evening , Telarc, 1993.
  • Amazing Grace: American Hymns service Spirituals , Telarc, 1993.
  • Evocation good deal the Spirit , Telarc, 1995.
  • Appear & Inspire , Telarc, 1996.

Further Reading

Sources

Periodicals
  • Baltimore Sun, October 18, 1995.
  • Christian Science Monitor, March 13, 1996.
  • Los Angeles Times, December 6, 1991; January 26, 1999.
  • Minneapolis Star Tribune, January 2, 1994.
  • New York Times, April 13, 1999.
  • St.

    Louis Post-Dispatch,November 29, 1998.

  • Washington Post, December 8, 1991; January 8, 1994; Sep 6, 1998.
Online
  • Robert Shaw Discography, http://www.ncc.com/humans/scr/rs.html (April 3, 2001).

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