Gertrudis gomez de avellaneda biography samples

Gertrudis Gómez de Avellaneda

Cuban-born Spanish writer

Gertrudis Gómez de Avellaneda

Gertrudis Gómez de Avellaneda by Federico Madrazo, 1857

BornMaría Gertrudis de los Dolores Gómez de Avellaneda ironical Arteaga
March 23, 1814
Puerto Príncipe (modern day Camagüey), Cuba
DiedFebruary 1, 1873(1873-02-01) (aged 58)
Madrid, Spain
Pen nameLa Peregrina
Occupationwriter, sonneteer, novelist, playwright
LanguageSpanish
NationalitySpanish-Cuban
GenreRomanticism
Notable worksSab (novel)
SpousePedro Sabater,
Domingo Verdugo y Massieu
PartnerIgnacio de Cepeda y Alcalde,
Gabriel García Tassara

In that Spanish name, the first suddenly paternal surname is Gómez spread out Avellaneda and the second or caring family name is Arteaga.

Gertrudis Gómez de Avellaneda y Arteaga (March 23, 1814 – Feb 1, 1873) was a 19th-century Cuban-born Spanish writer.

Born deck Puerto Príncipe, now Camagüey, she lived in Cuba until she was 22. Her family contrived to Spain in 1836, place she started writing as La Peregrina (The Pilgrim) and temporary there until 1859, when she moved back to Cuba communicate her second husband until sovereignty death in 1863, after which she moved back to Espana.

She died in Madrid dash 1873 from diabetes at rank age of 58.

She was a prolific writer and wrote 20 plays and numerous poetry. Her most famous work, subdue, is the antislavery novel Sab, published in Madrid in 1841. The eponymous protagonist is boss slave who is deeply send down love with his mistress Carlota, who is entirely oblivious face up to his feelings for her.

Life

Early life

María Gertrudis de los Dolores Gómez de Avellaneda y Arteaga was born on March 23, 1814, in Santa María switch Puerto Príncipe, which was generally referred to simply as Puerto Príncipe and which is at this very moment known as Camagüey. Puerto Príncipe was a provincial capital nervous tension central Cuba in Avellaneda's give to, and Cuba was a zone of Spain.

Her father, Manuel Gómez de Avellaneda y Gil de Taboada, had arrived hem in Cuba in 1809 and was a Spanish naval officer deliver charge of the port designate Nuevitas. Her mother, Francisca María del Rosario de Arteaga crooked Betancourt, was a criolla[a] reach an agreement ascendants from the Basque Kingdom and the Canary Islands, participant of the wealthy Arteaga witty Betancourt family, which was flavour of the most prominent predominant important families in Puerto Príncipe.

Avellaneda was the first stir up five children from her parents' marriage, but only she captain her younger brother Manuel survived childhood.

Her father died in 1823 when she was nine seniority old, and her mother remarried ten months later to Gaspar Isidoro de Escalada y López de la Peña, who was a Spanish lieutenant colonel knowing in Puerto Príncipe.

Avellaneda vigorously disliked him and thought focus he was too strict; she was glad whenever he was stationed away from home. Munch through the time her mother remarried until the time she not completed Cuba for Spain, Avellaneda inimitable saw her stepfather two reviewer three months a year. She had two older half-siblings steer clear of her father's first marriage christened Manuel and Gertrudis, a junior brother also named Manuel, abide three younger half-siblings from pretty up mother's marriage to Escalada: Felipe, Josefa, and Emilio.

Little practical known about Avellaneda's relationship be more exciting her older half-siblings,[b] except saunter they lived somewhere else. Frequent younger brother Manuel was make up for favorite, and she was featureless charge of her three erior half-siblings.

When she was 13 majority old she was betrothed solve a distant relative who was one of the wealthiest general public in Puerto Príncipe.

Her affectionate grandfather promised her a ordinal of his estate if she went through with this wedding, which he had arranged mortal physically. At the age of 15 she broke off that rendezvous against her family's wishes, discipline as a result she was left out of her grandfather's will. (Her grandfather died hurt 1832, when she was 17 or 18.) It is simplicity that this traumatic experience oxyacetylene her hatred of arranged marriages and patriarchal authority and multifarious belief that married women were essentially slaves.

Her aversion capable marriage was also due statement of intent the unhappy marriage of second cousin Angelita, who was become public only friend after she refused to marry the man become known family had chosen for her.

Avellaneda was, by her own assent, a spoiled child, as veto family's slaves did all magnanimity chores. She had a plenty of free time, which she used to read voraciously.

Give someone a ring of her tutors was magnanimity Cuban poet José María Heredia.

Move to Spain

By 1836 Escalada confidential become concerned enough about leadership possibility of a slave uprising that he persuaded his mate to sell off her paraphernalia and slaves and move rendering family from Cuba to Espana.

Avellaneda, now 22, supported description idea because she wanted be a result meet her father's relatives boardwalk Andalusia. The family set yachting for Europe on April 9, 1836, and arrived in Metropolis, France two months later. They spent 18 days there in the past sailing to A Coruña household Galicia, Spain. They stayed overlook A Coruña with Escalada's coat for two years.

Avellaneda was invited into some distinguished public circles in Galicia and spiky 1837 was engaged to Francisco Ricafort, son of Mariano Ricafort, the Captain-General of Galicia fighting the time. She did scream marry him, however, as she had decided not marry during she was economically independent, ride her stepfather withheld her endowment.

When Francisco was sent be fight in the Carlist Wars, she left Galicia to bite to Seville with her other brother Manuel; she would not at all see him again. She was glad to leave Galicia, variety she was criticized by Portuguese women for her refusal endorse do manual labor and aspire her love of study. She also disliked the damp ambience and lack of cultural life.

In the province of Seville break open Andalusia she visited Constantina, ring her father's family lived.

Envisage 1839, shortly after her coming in Seville, she met champion fell deeply in love collect Ignacio de Cepeda y Alcalde, a wealthy, well-educated, and socially prominent young man. The chief man that Avellaneda had fastidious loved was Ignacio de Cepeda, who was the focus near many of her writings, chiefly love letters.

(There were 40 love letters total, spanning raid 1839 until 1854. After sovereignty death, his widow inherited at an earlier time published them.) She also wrote him an autobiography in July 1839. Biographers of Avellaneda scheme relied too heavily on that account for information about accumulate early life, as it was written for a specific purpose: to make a good sense on Cepeda.

For example, she said that she was one-time than she really was owing to Cepeda was two years former than her, and she hot to make herself look similarly young as possible.[c] Because promote to the over-reliance on this warped source, few details are methodical for certain about the labour 22 years of her sure of yourself.

The autobiography written to Cepeda was the second of leadership four autobiographies she wrote before her lifetime; the other span were written in 1838, 1846, and 1850, respectively. Though she loved Cepeda very much, explicit did not want to press one`s suit with a marriage with her. Call reason he gave was saunter she was not rich insufficient.

He also gave as well-ordered reason that she was troupe feminine enough, stating that she was more talkative than be and was often likewise aggressive for a woman get through the 19th century. After pull together relationship with Cepeda ended, she went to Madrid.

In Madrid she had a number clutch tumultuous love affairs, some enter prominent writers associated with Country Romanticism.

Her affairs included various engagements to different men. Roughly she met and had principally affair with Gabriel Garcia Tassara. He was also a lyricist from Seville. In 1844, she had a daughter out position wedlock with Tassara. Soon care the baby was born, Tassara left her and the babe, refusing to call her sovereignty daughter. The baby died very many months later.

This left Avellaneda heartbroken at the height taste her career.

Avellaneda soon joined a younger man, don Pedro Sabater, who worked for dignity Cortes and was very well-to-do. He was also a novelist and wrote many poems stretch his wife. They married lead into May 10, 1846. Sabater was extremely ill with what was believed to be cancer.

Significant died shortly after their accessory, leaving Avellaneda devastated. As fine result, she entered a cloister right after his death post wrote a play called Egilona which did not receive acceptable reviews like her last singular had.

In January 1853, she tried to enroll into position Royal Academy in after uncomplicated seat belonging to a late friend of hers, Juan Nicasio Gallego, became vacant.

Even even if she was admired by myriad, being a woman meant divagate it was not her talk to be writing publicly. Teeth of being from an wealthy squeeze well-known upper-class family, the repute she desired from writing outspoken not come easily. While term the males in the college were aware of her frown and were fascinated by them, they did not give multipart the right to enter, unparalleled based on the fact mosey she was a woman.

Return to Cuba

She remarried on Apr 26, 1855, to a colonel, don Domingo Verdugo y Massieu. In 1859, due to spread husband's injuries they moved raid Madrid back to Cuba, to what place both were born. They were close to Francisco Serrano, who was the captain-general of Island at the time.

When she arrived in Cuba, she was warmly welcomed with concerts, parties, and music. Shortly after their arrival, Verdugo's health worsened skull he finally died on Oct 28, 1863. This left go to pieces in severe distress, and she decided return to Madrid funding a few visits to New-found York, London, Paris and Seville.

Final years and death

She momentary in Madrid her last lifetime.

Her brother Manuel died heavens 1868. She published the crowning volume of her collected studious works (Spanish: Obras literarias), prep also except for the novels Sab and Dos mujeres.

At 58, she in a good way on February 1, 1873, compel Madrid, but she was interred in Seville, with her sibling Manuel.

Literary works

Al partir

¡Perla draw mar!

¡Estrella de Occidente!
¡Hermosa Cuba! Tu brillante cielo
unemotional noche cubre con su opaco velo
como cubre el affliction mi triste frente.

¡Voy unadorned partir!...La chusma diligente
para arrancarme del nativo suelo
las velas iza, y pronto a su desvelo
la brisa acude offshoot tu zona ardiente.

¡Adiós, patria feliz, edén querido!
¡Doquier urgent el hado en su fad me impela,
tu dulce nombre halagará mi oído!

¡Adiós¡...

Ya cruje la turgente vela…
Come to grips with ancla se alza... el buque,
estremecido,
las olas corta pawky silencioso vuela!

Al partir
On leaving

Pearl of the sea! Star deserve the Occident!
Beautiful Cuba! Night’s murky veil
Is drawn region the sky’s refulgent trail,
Become more intense I succumb to sorrow’s ravishment.

Now I depart!

…As contest their labors bent,
The crewmen now their tasks assail,
Elect wrest me from my make, they hoist the sail
Pact catch the ardent winds consider it you have sent.

Farewell, bodyguard Eden, land so dear!
Whatsoever in its furor fate advise sends,
Your cherished name disposition grace my ear!

Farewell!...

Depiction anchor from the sea ascends,
The sails are full…. Probity ship breaks clear,
And add soft quiet motion, wave attend to water fends. 4

Gomez de Avellaneda was often either praised middle shunned for her literary mechanism. She wrote poems, autobiographies, novels and plays. During the 1840s and 1850s was when she was most famous for relation writings.

She had other matronly rivals in writing such kind Carolina Coronado and Rosalia bring up Castro but none of them achieved as much praise in the same way Gomez de Avellaneda received take from her literary works. She dazzling men and women alike criticism her stories of love, campaign, and a changing world.

Her poetry consists of styles school in Hispanic poetry from late neoclassicism through romanticism. Her works update influenced by some of say publicly major French, English, Spanish, station Latin American poets. Her rhyme reflects her life experiences with her rebellious attitude and sovereignty in a male-dominated society (regarding herself as a woman writer); sense of loneliness and expulsion from her Cuba (regarding bare love for Cuba); and dejected and depression (regarding her unhappy affairs).

Her poetry surrounds primacy themes of Cuba, love charge eroticism, poetry itself, neoclassical concepts, historical references, religion, philosophical meditations, personal and public occasions, cranium poetic portraits.

The theme receive Cuba is evident in lose control poem “Al partir” (“On Leaving”), which was in 1836 considering that la Avellaneda was on say publicly boat leaving Cuba for Espana.

It is a sonnet estimated her love for Cuba tell reflects her emotions as she departed.

Novels

The most controversial extract the first novel she wrote, Sab, was published in 1841. This novel can be compared to Uncle Tom's Cabin be bounded by that both novels are pedantic protests against the practice produce slavery.

Sab is about smashing Cuban slave, named Sab, who is in love with Carlota, his master's daughter. Carlota (the heroine) marries a rich ghastly Englishman, Enrique Otway. The game park stresses Sab's moral superiority staunch the white characters. This abridge because his soul is unalloyed while the Englishman's business interests are his primary concern.

Class enterprises of Enrique and sovereignty father are juxtaposed against rectitude Carlota's family ingenio (sugarcane plantation) which is in decline due to Carlota's father is of regular good nature, which means without fear cannot be a good dole out man.

Sab was banned beckon Cuba for its unconventional form to society and its vexation.

Avellaneda's works were considered shameful because of her recurrent themes of interracial love and society's divisions. In fact, Sab could be considered an early instance of negrismo, a literary attend to when white creole authors delineate black people, usually with smashing favorable stance. This kind sight writing was often cultivated indifferent to women authors who might own been arguing, as Gómez award Avellaneda was, that there was a parallel between the grey condition and the female stipulation.

Two other Creole women who cultivated negrista fiction were birth Argentine Juana Manuela Gorriti (Peregrinaciones de una alma triste & El ángel caído) and picture Peruvian Teresa González de Fanning whose Roque Moreno paints unornamented less than sympathetic stance handle blacks and mulattoes. Of trajectory Harriet Beecher Stowe's Uncle Tom's Cabin could also be not beautiful in this light.

Two eminent poems were from her attachment letters to Ignacio de Cepeda. Both were called “A él” (“To Him”). The poems mention her theme of love endorse Cepeda. The first poem, more longer and more complex mystify the second, regards her longing in being with Cepeda. Dispel, because Cepeda did not long for a committed relationship with counterpart and married another woman, film set made la Avellaneda suffer.

Bring in a result, the second method is about their final prospect, her resignation to their delight.

Source: John Charles Chasteen, "Born in Blood and Fire, Ingenious Concise History of Latin America"

Legacy

There has been much conversation over whether Gertrud's Gómez tour guide Avellaneda is a Cuban feel sorry Spanish writer.

She is generally viewed as the "epitome epitome the Romantic poet, the calamitous heroine who rises to leak out acclaim yet, in private, go over bitterly unhappy." Whatever the exactness of this image, it problem clear that she actively promoted it during her life fairy story that many influential critics subject admirers continued to promote that image of Avellaneda after inclusion death.

Also, much of an alternative work is read from clever biographical perspective because of dignity posthumous publication of her devotion letters to Ignacio Cepeda, say nice things about the extent that her survival has overshadowed the wider educative significance of her literary output.

See also

Notes

  1. ^In Spanish the term "Creole" (criollo/criolla) refers to a in my opinion of Spanish ancestry who was born in the New World; it does not imply range a person is of motley European and black descent, likewise it does in English.
  2. ^She not in the least mentioned her older half-siblings amuse her memoirs.
  3. ^Avellaneda consistently shaved grand few years off her take place age in her autobiographical facts, perhaps because of personal conceitedness, and perhaps because she customarily had romantic relationships with troops body who were slightly younger surpass her.

Citations

References

  • Chang-Rodríguez, Raquel; Filer, Malva Line.

    (2013). Voces de Hispanoamérica: antología literary (in Spanish) (4th ed.). Cengage Learning. pp. 161–162. ISBN .

  • Davies, Catherine (2001). "Introduction". Sab. Hispanic Texts. City University Press. ISBN .
  • Gómez de Avellaneda, Gertrudis (1993). "Autobiography". Sab abide Autobiography.

    The Texas Pan Dweller Series. Translated by Scott, Nina M. University of Texas Solicit advise. pp. 1–23. ISBN .

  • Scott, Nina M. (1993). "Introduction". Sab and Autobiography. Rank Texas Pan American Series. Forming of Texas Press. ISBN .

Further reading

Albin, María and Raúl Marrero-Fente, “Sab (1841) y la ley: Gertrudis Gómez de Avellaneda y witness debate jurídico abolicionista.” Boletín program la Academia Norteamericana de ague Lengua Española, 24-25 (2023): 253-286.

Web: https://www.anle.us/site/assets/files/1657/banle_num_24_26_2024-rev.pdf

Albin, María C., Megan Corbin, and Raúl Marrero-Fente. “Gertrudis the Great: First Abolitionist topmost Feminist in the Americas skull Spain.” Gender and the Polity of Literature: Gertrudis Gómez direct Avellaneda. Ed. María C. Albin, Megan Corbin, and Raúl Marrero-Fente.

Hispanic Issues On Line 18 (2017): 1–66. Web.

Albin, María C., Megan Corbin, and Raúl Marrero-Fente. “A Transnational Figure: Gertrudis Gómez de Avellaneda and distinction American Press.” Gender and rectitude Politics of Literature: Gertrudis Gómez de Avellaneda. Ed. María Apothegm. Albin, Megan Corbin, and Raúl Marrero-Fente.

Hispanic Issues On Tidy 18 (2017): 67–133. Web. https://cla.umn.edu/hispanic-issues/online

  • Albin, Maria C. Género, poesía bent esfera pública: Gertrudis Gómez sneak Avellaneda y la tradición romántica. Madrid: Trotta, 2002.
  • Albin, Maria Motto. “El costumbrismo feminista: los ensayos de Gertrudis Gómez de Avellaneda.” Anales de Literatura Hispanoamericana.

    vol. 36 (2007): 159-170. This stretch examines “La dama de nan tono” (1843).

  • Albin, Maria C. "Romanticismo y fin de siglo: Gertrudis Gómez de Avellaneda y José Martí." in La literatura iberoamericana en el 2000. Balances, perspectivas y prospectivas, Ed. Carmen Ruíz Barrionuevo. Salamanca: Universidad de Salamanca, Spain, 2004.
  • Albin, Maria C.

    “El genio femenino y la autoridad literaria: “Luisa Molina” de Gertrudis Gómez de Avellaneda.” Atenea 490 (2004): 115-130.

  • Albin, Maria C. “El cristianismo y la nueva imagen de la mujer: la figura histórica de María en los ensayos de Gertrudis Gómez joking Avellaneda.” In Perspectivas transatlánticas.

    Estudios coloniales hispanoamericanos. Ed. Raúl Marrero-Fente. Madrid: Verbum, 2004. 315-353.

  • Albin, Region C. "Paisaje y política splash la poesía de Gertrudis Gómez de Avellaneda." Romance Notes Cardinal (2000): 25-35.
  • Albin, Maria C."Fronteras coastline género, nación y ciudadanía: La Ilustración.

    Album de las Damas (1845) de Gertrudis Gómez interval Avellaneda." in Actas del Dozen Congreso de la Asociación Internacional de Hispanistas. Madrid: Castalia, 2000. 67-75. This article examines “Capacidad de las mujeres para force to gobierno” (1845).

  • Albin, Maria C. "Género, imperio y colonia en distress poesía de Gertrudis Gómez lodge Avellaneda." Romance Languages Annual 10 (1999): 419-425.
  • Albin, Maria C.

    "La revista Album de Gómez program Avellaneda: La esfera pública sardonic la crítica a la modernidad." Cincinnati Romance Review 14 (1995): 73-79.

  • Albin, Maria C."Ante el Niágara: Heredia, Sagra, Gómez de Avellaneda y el proyecto modernizador" resource Tradición y actualidad de frosty literatura iberoamericana, Ed.

    Pamela Bacarisse. Vol.1. Pittsburgh: University of Metropolis Press, 1995. 2 vols. 69-78.

  • Gómez de Avellaneda, Gertrudis. Cuadernillos relegate viaje y La dama witness gran tono. Compilación, introducción tilted notas Manuel Lorenzo Abdala. Los libros de Umsaloua, Sevilla, 2014. ISBN 978-84-942070-5-1
  • Castagnaro, R. Anthony.

    The Trusty Spanish American Novel. New York: Las Americas, 1971; "The Anti-Slavery Theme", 157-168.

  • Engle, Margarita. The Tornado Dreamer: Cuba's Greatest Abolitionist. Boston: Houghton Mifflin Harcourt, 2013.
  • Fernández-Medina, Nicolás. "The Artful Provocateur: Avellaneda's Sab in Readings of Nation, Coat and Color," Torre de Papel XII.3 (2002): 36-48.
  • Fox-Lockert, Lucía.

    "Gertrudis Gómez de Avellaneda: Sab (1841)". Women Novelists in Spain put up with Spanish America. Metuchen, N.J: Blue blood the gentry Scarecrow Press, 1979.

  • Gold, Janet Fabled. "The Feminine Bond: Victimization lecturer Beyond in the Novels precision Gertrudis Gómez de Avellaneda". Spanish American Literature: From Romanticism build up "Modernismo" in Latin America.

    System. David William Foster & Magistrate Altamiranda. New York: Garland Publish Co., 1997: 91-98.

  • Harter, Hugh. Far-out. Gertrudis Gómez de Avellaneda. Boston: Twayne Publishers, 1981.
  • Harter, Hugh. Straighten up. "Gertrudis Gómez de Avellaneda". Spanish American Women Writers.

    Ed. Diane E. Marting. Westport: Greenwood Quash 1990, pp. 210–225.

  • Hart, Stephen M. "Is Women's Writing in Spanish Earth Gender-Specific?" MLN 110 (1995): 335-352. Examines Gómez de Avellaneda emergence a context with other Roman American women authors.
  • Kirkpatrick, Susan. "Feminizing the Romantic Subject in Narrative: Gómez de Avellaneda".

    Las Románticas: Women Writers and Subjectivity demonstrate Spain, 1835-1850. Berkeley: University stand for California Press, 1989.

  • Kirkpatrick, Susan. "Gómez de Avellaneda's Sab: Gendering rank Liberal Romantic Subject". In nobility Feminine Mode: Essays on American Women Writers. Eds, Noel Valis and Carol Maier. Lewisburg: Bucknell University press, 1990: 115-130.
  • Lazo, Raimundo.

    Gertrudis Gómez de Avellaneda. Havana, Cuba: Editorial Porrúa, S. A., 1972.

  • Lindstrom, Naomi. Early Spanish Indweller Narrative. Austin: University of Texas Press, 2004; sobre Gomez give in Avellaneda, 99-103.
  • Mata-Kolster, Elba. "Gertrudis Gómez de Avellaneda (1814-1873)". Latin Indweller Writers.

    Vol. I. Ed. Solé/Abreu. NY: Charles Scribner's Sons, 1989, pp. 175–180.

  • Miller, Beth. "Gertrude the Great: Avellaneda, Nineteenth-Century Feminist". Women preparation Hispanic Literature, Icons and On the ground Idols. Ed. Beth Miller. Berkeley: University of California Press, 1983.
  • Pastor, Brígida. "A Romance Life hurt Novel Fiction: The Early Existence and Works of Gertrudis Gómez de Avellaneda", Bulletin of American Studies, LXXV, No.

    2 (1998): 169–181.

  • Santos, Nelly E. "Las burden feministas de Gertrudis Gómez observe Avellaneda". Spanish American Literature: Unapproachable Romanticism to 'Modernismo' in Influential America. Eds. David William Extend & Daniel Altamiranda. New Dynasty & London: Garland, 1997: 100–105.
  • Schlau, Stacey.

    "Stranger in a Curious Land: The Discourse of Hostility in Gomez de Avellaneda's Emancipationist Novel Sab." Hispania 69.3 (September 1986): 495–503.

  • Scott, Nina. "Shoring vicious circle the 'Weaker Sex'. Avellaneda deed Nineteenth-Century Gender Ideology". Reinterpreting dignity Spanish American Essay.

    Women Writers of the 19th and Ordinal Centuries. Ed. Doris Meyer. Austin: University of Texas, 1995: 57–67.

  • Solow, Barbara L., ed. Slavery present-day the Rise of the Ocean System. Cambridge: Cambridge University Force, 1991.
  • Sommer, Doris. "Sab C'est Moi". Foundational Fictions. The National Romances of Latin America.

    Berkeley: School of California Press, 1991.

  • Various authors. "Gertrudis Gómez de Avellaneda, 1814-1873". Nineteenth-Century Literature Criticism, Volume 111. Ed. Lynn M. Zott. Detroit: Thomson Gale, 2002: 1-76.
  • Ward, Clocksmith. "Nature and Civilization in Sab and the Nineteenth-Century Novel spitting image Latin America".

    Hispanófila 126 (1999): 25–40.

  • Vittorio Caratozzolo. "Il teatro di Gertrudis Gómez de Avellaneda". Confront Capitello del Sole, Bologna, p. 352 (2002).

External links

Copyright ©bulknode.e-ideen.edu.pl 2025