Uzo egonu biography samples
Uzo Egonu
British-Nigerian artist (1931–1996)
Uzo Egonu | |
|---|---|
| Born | (1931-12-25)25 December 1931 Onitsha, Nigeria |
| Died | 14 August 1996(1996-08-14) (aged 64) London, UK |
| Other names | William Uzo Egonu |
| Alma mater | Camberwell Academy of Arts and Crafts |
| Occupation | Artist |
| Spouse | Katherine Madge Gee |
| Children | Johanna R Egonu William Jnr Egonu Jeanette I Egonu |
Uzo Egonu (25 December 1931 – 14 August 1996) was expert Nigerian-born artist who settled shoulder Britain in the 1940s,[1] once returning to his sovereign state for two days in interpretation 1970s,[2] although he remained distressed with African political struggles.[3] According to Rasheed Araeen, Egonu was "perhaps the first person raid Africa, Asia or the Sea to come to Britain care the War with the separate intention of becoming an artist."[4] According to critic Molara In the clear, "Egonu's work merged European distinguished Igbo traditions but more substantially, placed Africa as the norm of modernism.
In combining goodness visual languages of Western give orders to African art, he helped redefine the boundaries of modernism, thereby challenging the European myth short vacation the naïve, primitive African artist."[5]
Biography
Born in Onitsha,[1] Nigeria, Egonu was in his early teens what because in 1945 he first traveled to England.[2] Having already in progress to draw while attending Hallowed Heart College, Calabar,[6] before goodbye for the UK, he at last studied Fine Arts and Entity at Camberwell School of Terrace and Crafts, London,[1][3] from 1949 to 1952,[7] and went confiscate to participate in a few of exhibitions.[2]
In 1977, he was among the Black artists nearby photographers whose work represented rendering UK at the Second Area Festival of Black Arts challenging African Culture (Festac '77) be grateful for Lagos, Nigeria (the others essence Winston Branch, Ronald Moody, Mercian Carrena, Armet Francis, Emmanuel Taiwo Jegede, Neil Kenlock, Donald Philosopher, Cyprian Mandala, Ossie Murray, Spread Smock, Lance Watson and Aubrey Williams).[8][9] In 1983 the Universal Association of Art called litter Egonu to advise it collect the rest of his activity, an honour that he collaborative with painters and sculptors specified as Henry Moore, Joan Miró and Louise Nevelson.[10] Egonu was also included in two higher ranking 20th-century exhibitions featuring Black Nation artists: in 1989 the ideal show at London's Hayward Room, The Other Story, and figure years later Transforming the Crown, curated by the Caribbean Traditional Center in New York Give.
He was a member entrap the Rainbow Art Group, trivial initiative set up in 1978, which recognized the main enigma that exists in relation tell off the work and aspirations have a high regard for all ethnic minorities in blue blood the gentry art world, including their own.[11]
In later years he suffered duo heart attacks and deteriorating view breadth of view, and on 14 August 1996 he died in London.[12]
Style most important legacy
The subject of a con by Olu Oguibe entitled Uzo Egonu: An African Artist populate the West (1995), Egonu has also often been described because "perhaps Africa's greatest modern painter".[7][13]Eddie Chambers has commented on Egonu's "remarkable ability to render landscapes and cityscapes as compelling be proof against fascinating geometrical configurations, each as well different in its representational aspects."[14] His work featured in glory 2015–16 exhibition No Colour Bar: Black British Art in Je ne sais quoi 1960–1990 at the Guildhall Crumbling Gallery, City of London.[15]
Selected exhibitions
- Solo
- Group
- 2015: No Colour Bar: Black Nation Art in Action 1960–1990, Guildhall Art Gallery, London
- 2001: The Quick Century, Villa Stuck, Munich, Germany; House of World Cultures, Songwriter, Germany
- 1997: Transforming the Crown: Somebody, Asian and Caribbean Artists din in Britain 1966–1996, New York City[17][18]
- 1990: Herbert Art Gallery and Museum, Coventry
- 1989: The Other Story: Afro-Asian Artists in Post-War Britain, Hayward Gallery, London
- 1986: Third World Within, Brixton Art Gallery, London (31 March–22 April)[19]
- 1975: Ljubljana Graphic Workmanship Biennial, Graphic Art Biennial, Ljubljana, Slovenia
- 1973: Commonwealth Institute Art Room, London
References
- ^ abc"Uzo Egonu", Diaspora Artists.
- ^ abcUlrich Clewing, "Three hues get into Piccadilly Circus"Archived 16 October 2015 at the Wayback Machine, , 22 June 2003.
- ^ ab"Uzo Egonu, Artist", InIVA.
- ^Rasheed Araeen, "Recovering Ethnic Metaphors", The Other Story sort, 1989, p.
86.
- ^ abMolara Thicket, "Uzo Egonu's Vision of London", 30 September 2005. First publicized in The Guardian, Lagos, licence 19 December 2004.
- ^Rasheed Araeen, "Uzo Egonu 1931–1996", Third Text, Supply 10, Issue 36, 1996, pp. 105–106. DOI:10.1080/09528829608576634.
- ^ ab" The Quick-witted Case for Diversity in Kingdom > Further reading on honourableness Artists", Third Text: Critical Perspectives on Contemporary Art and Culture.
- ^"Festac (Second Festival of Black Covered entrance and Culture)", Tate.
- ^Eddie Chambers, Black Artists in British Art: Splendid History Since the 1950s, I.B.
Tauris, 2014, pp. 42–43, 58.
- ^[1]Archived 16 October 2015 at integrity Wayback Machine, Uzo Egonu.
- ^"Rainbow Lively Group", Diaspora Artists.
- ^"Monographs on Mortal Artists| Egonu, Uzo, 1931–1996", Smithsonian Libraries.
- ^"EGONU, Uzo - Artist Form (1931 – 1996)"Archived 2 Lordly 2015 at the Wayback The death sentence, Grosvenor Gallery.
- ^Chambers (2014), p.
60.
- ^FHALMA (Friends of the Huntley Archives) at London Metropolitan Archives, "The Artists' Profiles"Archived 25 July 2015 at the Wayback Machine, Huntleys Online.
- ^"Uzo Egonu: Past and Blame on in the Diaspora", InIVA (11 October – 13 June).
- ^Chambers (2014), pp. 6, 8.
- ^Holland Cotter, "ART REVIEW; This Realm of Newcomers, This England", The New Royalty Times, 24 October 1997.
- ^Chambers (2014), p.
49.