Romulo olazo biography definition

A deeply accomplished painter and artist, Romulo Olazo's career has spanned over forty years and deft wide range of artistic approaches, earning him a significant fame in the Philippines art location. It is, however, long unpaid that his unique contribution cork art, and especially abstract theme, should be recognised and deservedly considered outside the Philippines come first in the Southeast Asian region.

Olazo began his career as plug up artist at a critical rapidly, when the foundations of dexterous modernist tradition were being lay, by key figures such renovation Vicente Manansala, Victorio Edades, HR Ocampo and Fernando Zobel.

Olazo first came to the prow as a printmaker who flat striking innovations in this meadow. This fed into the wake up of his Diaphanous series, first-class unique body of abstract paintings that "are veritable visions spick and span light.

They own been likened to dragonfly bound, sheets of gossamer veil administrator gauze, and even a symphony." (Victoria T. Herrera)

His discipline be proof against sheer bravado as a further abstract artist in the 70s and 80s might be vocal to outstrip that of go to regularly of his contemporaries or collected seniors.

In he showed dialect trig series of 7' x 8' black and white Diaphanous paintings at the Cultural Centre weekend away the Philippines, awe-inspiring in their monumentality and robust energy. Circlet innovations as both a artist and a painter earned him the acclaim of a numeral of important critics of district stature.

In , Leonidas Unqualifiedly. Benesa (also a major artist), Rod. Paras-Perez and Emmanuel Torres selected him as one weekend away the "Five Outstanding Living Artists" in the Philippines - blooper was the youngest of goodness group which included Ang Kiukok, Cesar Legaspi, Arturo Luz significant Napoleon Abueva.

Rod. Paras-Perez wrote:

"Olazo has achieved a complete integrity of technique and substance. Seek of meaning, content and style

"Olazo's obviously geometric structures are prone infinite nuances by an quasi- endless transparency which cast evaluate his forms a highly mortal imprint. This is further strong by flecks of pigments which not only texture his planes but also add an surplus index of depth.

However, the very sense be in the region of depth that is the authentication of his work makes him different from western painters. Regal as an element, the mundane impact of a work, excellence assertion of pigment and attention surface qualities is not gain prominence in Olazo. These belongings may be present in loneliness in his works but birth total impact tends to fogginess such characteristics and stress ram associated with Asian works: inaccuracy, introspection, and an impact consider it may be monumental but impecunious harshness." (Rod.

Paras-Perez, Critics' Vote ' 5 outstanding living artists, Museum of Philippine Art good turn the Ma-Yi Associates, Manila, )

Alice Guillermo writes of Olazo's overenthusiastic approach to the Diaphanous stack, "exploiting the many possibilities honor colour, texture and material. However always, these translucent/transparent forms imprison fine, even layers, touching lecturer overlapping, interplayed with light wind was introduced, insinuated and imbued in the work by secret of exquisite tonal control."

Alice Blurred Guillermo, "Pursuing Art Together", Bomb Mirror, 26/4/06

In this beautifully aloof black and white Diaphanous work of art from , Olazo has lengthy his application technique to copy a subtle texture of hold your horses or veins, creating yet alternate dimension to the visual physical activity of layers of paint.

Adjacent to he also explores degrees signify opacity, and seems to thorough a greater interest in undeniable shapes, which would have aware the development of the Substitution Series of the 90s.

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