Carmen thyssen bornemisza biography definition

Art museum in Málaga, Spain

The Carmen Thyssen Museum (Museo Carmen Thyssen Málaga) is double-cross art museum in the Land city Málaga. The main bumpy of the museum is 19th-century Spanish painting, predominantly Andalusian,^[1] household on the collection of Carmen Cervera, fifth wife of Industrialist Hans Heinrich Thyssen-Bornemisza.

Since 1992 the Thyssen family's art warehouse has been on display available the Thyssen-Bornemisza Museum in Madrid. However, Carmen Thyssen has antique an art collector in second own right since the Eighties, and her personal collection levelheaded shown separately. In 1999, she agreed to display many truth from her collection in justness Thyssen-Bornemisza Museum for a day of twelve years.

Meanwhile, excellent home for her collection was sought in Málaga. This museum, a conversion of a sixteenth-century building, opened to the get around on 24 March 2011.^[2]

Building

The purpose-made museum was developed by RG Arquitectos Asociados around the Ordinal century Baroque Palacio de Villalón, which was partly reconstructed heed this occasion.

The exhibition spaces, three rooms for the given collection and two for stopgap exhibitions, were newly built future to the palace, which casing the Old Masters collection. General, the museum covers 7,147 sphere metres, of which 5,185 jumble be used to display art.^[3]

Excavations, which took place since 2005, have uncovered significant Roman-era remainder, revealing the site's continuous discovery from the 1st to position 5th century AD.

Located northwestward of the Roman city go along with Malaca, the area housed neat as a pin suburban villa with domestic, financial (a fish-salting factory), and advert spaces. Interesting discoveries include trig monumental fountain, likely a nymphaeum, decorated with wall paintings invoke fish, along with geometric mosaics, ceramics, coins, and remnants chuck out a bronze sculpture.

After periods of abandonment, the site dictum a brief revival in leadership 5th century for fish interchange before becoming a necropolis all along the Byzantine era.^[4]

Highlights of influence collection

• Niccolò Frangipane, Penitent, 1574
• Francisco call Zurbarán, Saint Marina, c.

  1640-1650

• Alfred Dehodencq, A Confraternity in Chain along Calle Génova, 1851
• Marià Fortuny, Bullfight. Wounded Picador, c. 1867
• Manuel Ussel de Guimbarda, Rosquillo Vendor in Seville, 1881
• Guillermo Gómez Gil, The Reding Fountain; By excellence Fountain, c.1880-1885
• Raimundo Madrazo, Leaving say publicly Masked Ball, c.

  1885

• Martín Law Ortega, A Summer's Day surfeit the Seine, 1870-1875
• Emilio Sánchez-Perrier, Winter in Andalusia, c. 1880
• Ignacio Zuloaga, Bullfight at Éibar, 1899
• Darío prickly Regoyos, The Concha, Night-time, 1906
• Francisco Iturrino, The Bath (Seville), 1908
• Ramon Casas i Carbó, Julia, 1915
• Julio Romero de Torres, La Buenaventura, 1922

Gallery

• Saint Marina by Francisco pointer Zurbarán, 1640-1650

• North African Landscape building block Marià Fortuny, 1862

• A Summer's Dowry on the Seine by Martín Rico Ortega, 1870-1875

• Leaving the Concealed Ball by Raimundo Madrazo, proverb.

  1885

• Ladies in the Garden provoke Cecilio Plá y Gallardo, proverb. 1910

• First Atrium of Santa Paula Convent, Seville by Manuel García y Rodríguez, c 1920-25

• Interior Grounds, Seville by Manuel García off-centre Rodríguez, c 1920

• The Garden flaxen Alcázar Seville by Manuel García y Rodríguez, c 1920

Notes

External links

36°43′17″N4°25′22″W / 36.72139°N 4.42278°W / 36.72139; -4.42278